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Paul's Boutique

Enero 13, 2022

Paul's Boutique es el segundo disco de estudio del grupo norteamericano de hip hop Beastie Boys, lanzado el 25 de julio de 1989, en Capitol Records. Producido por Dust Brothers, el disco se grabó en el apartamento de Matt Dike y en Record Plant en Los Ángeles entre 1988 a 1989, y se mezcló en Record Plant. Los remixes se hicieron en los estudios de Record Plant de Manhattan. Además de las voces, el álbum está casi completamente compuesto por samples.

Paul's Boutique
de Beastie Boys
Publicación 25 de julio de 1989
Género(s) Hip hop
Duración 53:03 minutos
Discográfica Capitol Records
Productor(es) Mario Caldato, Jr.
Cronología de Beastie Boys
Licensed to Ill Paul's Boutique
[editar datos en Wikidata]

Paul's Boutique no igualó las ventas de Licensed to Ill, el primer disco del trío, y Capitol dejó de promocionarlo. En cualquier caso, su popularidad creció y desde entonces ha sido reconocido como uno de los discos que marcó un antes y un después en la historia del hip hop. Muy rico tanto lírica como sonoramente, Paul's Boutique aseguró a los Beastie Boys' un lugar entre los favoritos en el género del hip-hop. A menudo llamado como "Sgt. Pepper del hip-hop",[1]​ the album's rankings near the top of many publications' "best albums" lists in disparate genres has given Paul's Boutique critical recognition as a landmark album in hip hop.[2]​

El 27 de enero de 1999, Paul's Boutique fue certificado doble platino en ventas por la Recording Industry Association of America.[3]​ En 2003, el disco alcanzó el puesto 156 en la lista de Los mejores 500 discos de todos los tiempos [4]​ elaborada por la revista Rolling Stone. El álbum fue relanzado el 27 de enero de 2009, en un pack espacial con motivo del 20 aniversario, remasterizado en 24-bit y con una pista de comentarios.[5]​

Background

 
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Derided as one-hit wonders and estranged from their original producer, Rick Rubin, and record label, Def Jam, the Beastie Boys were in self-imposed exile in Los Ángeles during early 1988 and were written off by most music critics before even beginning to record their second studio album, Paul's Boutique.[6]​ Following the commercial success of Licensed to Ill, the Beastie Boys were focusing on making an album with more creative depth and less commercial material.[6]​ The group's previous album had been enormously popular and received critical acclaim among both mainstream and hip hop music critics, although its simple, heavy beats and comically juvenile lyrics led it to be labeled as frat hip hop.[6]​ The group signed with Capitol Records and EMI Records.[6]​

Producción

Put together on samplers with tiny memories, small fragments of staggeringly disparate musics drop in, then are snatched away abruptly; rhythms and melodies remain in focus as textures and sounds constantly shift.
—— Mojo[7]​

Paul's Boutique fue producido con los Dust Brothers, cuyo uso extensivo e innovador del sampling ayudó a establish the practice of multi-layered sampling as an art in itself. While the Dust Brothers were set on making a hit record, the duo agreed with the group on producing a more experimental and sonically different record.[6]​ In total, 105 songs were sampled on the album, including 24 individual samples on the last track alone. The backing tracks were allegedly produced with the intention of being released as a Dust Brothers instrumental album, but the Beastie Boys convinced the duo to use the tracks as the basis of their follow up to Licensed to Ill.[6]​[8]​

Contrary to popular belief, most of the sampling for Paul's Boutique was cleared, but at dramatically lower costs compared to today's prevailing rates.[8]​ A 2005 article by Paul Tingen about The Dust Brothers reveals that "most of the samples used on Paul's Boutique were cleared, easily and affordably, something that [...] would be 'unthinkable' in today's litigious music industry."[8]​ Mario "Mario C" Caldato, Jr., engineer on the album, later said in an interview that "after [Beastie Boys] did Paul's Boutique we realized we had spent a lot of money in the studio. We had spent about a $1/4 million in rights and licensing for samples."[9]​ This type of sampling was only possible before Grand Upright Music, Ltd. v. Warner Bros. Records Inc., the landmark lawsuit against Biz Markie by Gilbert O'Sullivan, which changed the process and future of hip hop sampling.

Speaking about the album 20 years on, Adam Yauch told Clash magazine,

The Dust Brothers had a bunch of music together, before we arrived to work with them. As a result, a lot of the tracks come from songs they'd planned to release to clubs as instrumentals – "Shake Your Rump," for example. They'd put together some beats, basslines and guitar lines, all these loops together, and they were quite surprised when we said we wanted to rhyme on it, because they thought it was too dense. They offered to strip it down to just beats, but we wanted all of that stuff on there. I think half of the tracks were written when we got there, and the other half we wrote together." [10]​

Todas las canciones de Paul's Boutique fueron grabadas en el salón de la casa de Matt Dike en Los Ángeles, usando un sampler Emax HD, computador MacIntosh y equipo de DJ,[11]​ with the exception of "Hello Brooklyn". The fifth part of the album's finale suite "B-Boy Bouillabaisse" was recorded at the apartment building of the Beastie Boy-member Adam Yauch, aka MCA, in Koreatown, Los Ángeles. The location of recording was credited in the album liner notes as the Opium Den.[12]​ The recordings for Paul's Boutique were later mixed by the Dust Brothers at Record Plant Studios in Los Ángeles.[6]​

Release

The cover art and gatefold is a photograph of Ludlow Street (as shot from 99 Rivington Street), credited to Nathanial Hörnblowér, but shot by Jeremy Shatan.[13]​[14]​

On its initial release, Paul's Boutique was commercially unsuccessful because of its experimental and dense sampling and lyricism, in contrast to the Beastie Boys' previous album, Licensed to Ill.[15]​ It was a commercial disappointment,[16]​ peaking at only #24 on the Top R&B/Hip-Hop Albums chart.[17]​ The album received a gold certification by the Recording Industry Association of America on September 22 of its release year.[3]​ Paul's Boutique would go on to sell over 2 million copies by 1999.[3]​

Crítica

Calificaciones profesionales
Retrospective reviews
Calificaciones
FuenteCalificación
AllMusic     [15]​
The A.V. ClubA[18]​
Christgau's Record GuideA[19]​
Mojo     [7]​
NME9/10[20]​
Pitchfork10/10[21]​
Q     [22]​
Rolling Stone     [23]​
The Rolling Stone Album Guide     [24]​
Spin Alternative Record Guide10/10[25]​

In a contemporary review, David Handelman from Rolling Stone said the songs are "buoyed by the deft interplay of the three voices and a poetic tornado of imagery", featuring "equally far-flung" musical samples on an album that is "littered with bullshit tough-guy bravado, but it's clever and hilarious bullshit".[26]​ Greg Kot of the Chicago Tribune commended the Dust Brothers' "deft" production and the Beastie Boys' rhymes, which he called "hilarious, vicious, surreal, snotty."[27]​ Writing for Playboy, Robert Christgau said although it "doesn't jump you the way great rap usually does," "the Beasties and Tone-Loc's Dust Brothers have worked out a sound that sneaks up on you with its stark beats and literal-minded samples, sometimes in a disturbing way". He commended them for "bearing down on the cleverest rhymes in the biz" and wrote, "the Beasties concentrate on tall tales rather than boasting or dissing. In their irresponsible, exemplary way they make fun of drug misuse, racism, assault, and other real vices fools might accuse them of."[28]​ In Christgau's Record Guide: The '80s (1990), he said the album's "high-speed volubility and riffs from nowhere will amaze and delight you", calling it "an absolutely unpretentious and unsententious affirmation of cultural diversity, of where [the group] came from and where they went from there."[19]​

Accolades

List of the album's rankings and listings on selected publications and top album lists:[2]​[29]​[30]​[31]​

  • Ranked #5 on Slant Magazine's "Best Albums of the 1980s"[32]​
  • Ranked #37 on Blender's "The 100 Greatest American Albums of All Time"
  • Ranked #2 on Ego Trip's "Hip Hop's 25 Greatest Albums by Year (1980–1998)"
  • Ranked #156 on "Rolling Stone's 500 Greatest Albums of All Time"
  • Ranked #12 on Spin's "100 Greatest Albums, 1985–2005"
  • Ranked #74 on VH1's "Top 100 Albums"
  • Ranked #98 on Q's "Q Magazine Readers' 100 Greatest Albums Ever"
  • Ranked #3 on Pitchfork Media's "Top 100 Albums of the 1980s"
  • Ranked #8 on Chris Rock's list of the "Top 25 Hip-Hop Albums"
  • Selected as one of Rolling Stone magazine's "The Essential 200 Rock Records"
  • Selected as one of TIME magazine's "100 Greatest Albums of All TIME"
  • Selected by Rhapsody as one of "The 10 Best Albums by White Rappers"[33]​

Legado

 
On July 26, 2014, mural artist Danielle Mastrion created a mural in celebration of the 25th anniversary of the Beastie Boys' landmark album Paul's Boutique. It was painted on the corner of Ludlow and Rivington, where the original album cover was photographed.

Desde que Paul's Boutique fue lanzado al mercado, its critical standing improved significantly.[34]​ NME found the album to "still [be] an electrifying blast of cool" in a 1994 review, viewing it as a "younger incarnation" of Ill Communication.[20]​ Mojo asserted that the album "shredded the rulebook" and called it "one of the most inventive rap albums ever made".[35]​ In a 2003 review, Rolling Stone gave it five stars and called it "a celebration of American junk culture that is still blowing minds today - even fourteen years of obsessive listening can't exhaust all the musical and lyrical jokes crammed into Paul's Boutique".[23]​ Mark Kemp of Rolling Stone also gave the album five stars in a 2009 review, calling it a "hip-hop masterpiece".[36]​ Nate Patrin of Pitchfork Media dubbed it "a landmark in the art of sampling, a reinvention of a group that looked like it was heading for a gimmicky early dead-end, and a harbinger of the pop-culture obsessions and referential touchstones that would come to define the ensuing decades' postmodern identity".[21]​ In a review of the album for AllMusic, contributor Stephen Thomas Erlewine summed the initial reaction to Paul's Boutique and praised the density that the album contains:

Musically, few hip-hop records have ever been so rich; it's not just the recontextulations of familiar music via samples, it's the flow of each song and the album as a whole, culminating in the widescreen suite that closes the record. Lyrically, the Beasties have never been better — not just because their jokes are razor-sharp, but because they construct full-bodied narratives and evocative portraits of characters and places. Few pop records offer this much to savor, and if Paul's Boutique only made a modest impact upon its initial release, over time its influence could be heard through pop and rap, yet no matter how its influence was felt, it stands alone as a record of stunning vision, maturity, and accomplishment.[15]​

Miles Davis dijo que nunca se cansaba de escuchar Paul's Boutique.[37]​ Después, en un entrevista publicada en Vibe con los tres miembros de Beastie Boys, Chuck D de Public Enemy was quoted as saying that the "dirty secret" among the black hip-hop community at the time of release was that "Paul's Boutique had the best beats."[38]​ En esa misma entrevista, Mike D was asked about any possible hesitation he or the band might have had regarding their overt "sampling" of several minutes of well-known Beatles background tracks, including the song "The End" on "The Sounds of Science". He claimed that the Beatles filed preliminary legal papers, and that his response was "What's cooler than getting sued by the Beatles?"[39]​

In the book For Whom the Cowbell Tolls: 25 Years of Paul's Boutique, host of KDOC's Request Video Gia DeSantis discussed the appeal of the album to local markets and the missed opportunity by Capitol Records to take the album over the top. The book was a follow-up to 33 1/3's book Paul's Boutique.

Restored tracks

En 2013, los periodistas musicales Dan LeRoy y Peter Relic revelaron que habían descubierto y restaurado una cinta de la primera grabación en Delicious Vinyl's de Beastie Boys, conocida coloquialmente como Delicious Studios.[40]​ Esta cinta incluía las sesiones de trabajo de seis canciones, cinco de las cuales fueron producidas y empleadas de alguna manera en Paul's Boutique; la otra, titulada The Jerry Lewis, se omitió.[41]​ Mike D was presented with the restored version of the omitted track in late 2013, and when asked if it warranted an official release his response was, "Probably not this year." After widespread publication of the story, "The Jerry Lewis" has become a highly sought-after "lost track" among dedicated Beastie Boys fans.[40]​

Lista de canciones

Todas las canciones escritas y compuestas por Beastie Boys y Dust Brothers[15]​ (Mike Diamond, Adam Horovitz, Adam Yauch, John King, Mike Simpson).

N.ºTítuloSample(s)[42]​Duración
1.«To All the Girls»
Contiene samples de:
1:29
2.«Shake Your Rump»
Contiene samples de:
3:19
3.«Johnny Ryall»
Contiene samples de:
3:00
4.«Egg Man»
Contiene samples de:
2:57
5.«High Plains Drifter»
Contiene samples de:
4:13
6.«The Sounds of Science»
Contiene samples de:
3:11
7.«3-Minute Rule»
Contiene samples de:
3:39
8.«Hey Ladies»
Contiene samples de:
  • "Come Let Me Love You (Instrumental)" by Jeanette "Lady" Day
  • "Machine Gun" by Commodores
  • "Magilla Gorilla" by Hoyt Curtin
  • "Holy Ghost" by Bar-Kays
  • "Ain't It Funky Now" and "Funky President (People It's Bad)" by James Brown
  • "Hey DJ" by World's Famous Supreme Team
  • "The Ballroom Blitz" by Sweet
  • "Shake Your Pants" by Cameo
  • "Jungle Boogie" by Kool & the Gang
  • "So Ruff, So Tuff" by Roger
  • "Party Time" by Kurtis Blow
  • "Pumpin' It Up (Special Club Mix)" by P-Funk All Stars
  • "Jazzy Sensation" by Afrika Bambaataa and The Jazzy 5
  • "High Power Rap" by Crash Crew
  • "Change the Beat (Female Version)" by Beside
  • "Hush" by Deep Purple
3:47
9.«5-Piece Chicken Dinner»
Contiene samples de:
  • "Shuckin' the Corn" by Eric Weissberg and Marshall Brickman
0:23
10.«Looking down the Barrel of a Gun»
Contiene samples de:
3:28
11.«Car Thief»
Contiene samples de:
  • "Rien Ne Va Plus" de Funk Factory
  • "Hurdy Gurdy Man" de Donovan
  • "I'll Bet You" de The Jackson 5
  • "Drop the Bomb" de Trouble Funk
  • "Address to the Crowd" de Max Yasgur
3:39
12.«What Comes Around»
Contiene samples de:
3:07
13.«Shadrach»
Contiene samples de:
4:07
14.«Ask for Janice»0:11
15.«B-Boy Bouillabaisse"
  • Some releases separate the nine sections of the "B-Boy Bouillabaisse" suite:
    • a. "59 Chrystie Street" (0:57)
    • b. "Get on the Mic" (1:14)
    • c. "Stop That Train" (1:59)
    • d. "A Year and a Day" (2:22)
    • e. "Hello Brooklyn" (1:32)
    • f. "Dropping Names" (1:03)
    • g. "Lay It on Me" (0:54)
    • h. "Mike on the Mic" (0:48)
    • i. "A.W.O.L." (1:46)»
Contiene samples de:
12:33
Japanese bonus tracks[43]​
N.ºTítuloDuración
16.«33% God»3:53
17.«Dis Yourself in '89 (Just Do It)»3:29

Personal

  • Beastie Boys – producción
  • Allen Abrahamson – ingeniero asistente
  • Mario Caldato Jr. – ingeniero
  • Mike Simpson – productor, platos, ensemble
  • The Dust Brothers – producción
  • Matt Dike – ensemble
  • Ricky Powell – fotografía
  • Jeremy Shatan – fotografía
  • Nathaniel Hörnblowér – fotografía
  • Dominick Watkins – fotografía

Charts

Chart (1989) Peak
position
  Australia (ARIA)[44]​ 65
  Reino Unido (UK Albums Chart)[45]​ 44
  Estados Unidos (Billboard 200)[46]​ 14
  Estados Unidos (Billboard Top R&B/Hip Hop Albums)[47]​ 24

Véase también

  • List of hip hop albums considered to be influential

Referencias

  1. «How the Beastie Boys Made Their Masterpiece». Rolling Stone. 
  2. ↑ . AcclaimedMusic.net. Archivado desde el original el 16 de septiembre de 2017. 
  3. ↑ Región incorrecta o inesperada: United States.
  4. . Rolling Stone (Straight Arrow) (Special Issue). 156) Paul's Boutique. November 2003. ISSN 0035-791X. Archivado desde el original el 9 de noviembre de 2007. 
  5. . InSound.com. Archivado desde el original el 2 de abril de 2012. 
  6. ↑ LeRoy, Dan (2006). The Beastie Boys' Paul's Boutique (33 1/3). Continuum International. pp. 54-59. ISBN 978-0-8264-1741-1. Consultado el 6 de octubre de 2009. 
  7. ↑ Batey, Angus (January 2009). «Beastie Boys: Paul's Boutique». Mojo (182): 118. 
  8. ↑ Tingen, Paul (May 2005). «The Dust Brothers: Sampling, Remixing & The Boat Studio». Sound on Sound (Cambridge, UK: SOS Publications Group). ISSN 1473-5326. 
  9. Burke, Darron (January 2002). . En Barnes, Joyce, ed. Tape Op Magazine (Sacramento, CA). OCLC 55533380. Archivado desde el original el 28 de marzo de 2012.  Parámetro desconocido |df= ignorado (ayuda)
  10. "The Beastie Boys Interview Preview". clashmusic.com(requiere suscripción)
  11. «Paul's Boutique (1989 LP)». Discogs.com. 
  12. LeRoy, Dan (2006). The Beastie Boys' Paul's Boutique (33 1/3). Continuum International. pp. 100-106. ISBN 978-0-8264-1741-1. Consultado el 28 de febrero de 2011. 
  13. Carlson, Jen (19 de abril de 2006). . Gothamist. Archivado desde el original el 11 de junio de 2013. Consultado el 16 de enero de 2014.  Parámetro desconocido |df= ignorado (ayuda)
  14. . Nyminute.blog.arte.tv. 29 de diciembre de 2009. Archivado desde el original el 23 de diciembre de 2013. Consultado el 16 de enero de 2014.  Parámetro desconocido |df= ignorado (ayuda)
  15. ↑ Erlewine, Stephen Thomas. «Paul's Boutique – Beastie Boys». AllMusic. Consultado el 12 de octubre de 2011. 
  16. Lozaw, Tristram. «Paul's Boutique». Yahoo! Music. Archivado desde el original el 23 de diciembre de 2012. Consultado el 23 de diciembre de 2012.  Parámetro desconocido |df= ignorado (ayuda)
  17. "Paul's Boutique > Charts & Awards > Billboard Albums" en AllMusic
  18. Rabin, Nathan (17 de febrero de 2009). «Beastie Boys: Paul's Boutique: 20th Anniversary Edition». The A.V. Club. Consultado el 16 de enero de 2014. 
  19. ↑ Christgau, Robert (1990). «The Beastie Boys: Paul's Boutique». Christgau's Record Guide: The '80s. Pantheon Books. p. 50. ISBN 0-679-73015-X. Consultado el 12 de octubre de 2011. 
  20. ↑ «Beastie Boys: Paul's Boutique». NME (London): 46. 19 de noviembre de 1994. 
  21. ↑ Patrin, Nate (13 de febrero de 2009). «Beastie Boys: Paul's Boutique». Pitchfork. Consultado el 12 de octubre de 2011. 
  22. «Beastie Boys: Paul's Boutique». Q (355): 121. February 2016. 
  23. ↑ «Beastie Boys: Paul's Boutique». Rolling Stone (New York): 65. 6 de febrero de 2003. 
  24. Levy, Joe (2004). «Beastie Boys». En Brackett, Nathan; Hoard, Christian, eds. The New Rolling Stone Album Guide. Simon & Schuster. pp. 49–51. ISBN 0-7432-0169-8. 
  25. Weisbard, Eric; Marks, Craig, eds. (1995). Spin Alternative Record Guide. Vintage Books. pp. 46-47. ISBN 0-679-75574-8. 
  26. Handelman, David (25 de julio de 1989). «Paul's Boutique». Rolling Stone (New York). Consultado el 12 de octubre de 2011. 
  27. Kot, Greg (3 de agosto de 1989). «Beastie Boys: Paul's Boutique (Capitol)». Chicago Tribune. Consultado el 5 de mayo de 2016. 
  28. Christgau, Robert (May 1989). «Paul's Boutique». Playboy. Consultado el 5 de mayo de 2016. 
  29. . Pitchfork Media. 20 de noviembre de 2002. 003: Beastie Boys: Paul's Boutique. Archivado desde el original el 2 de abril de 2008. Consultado el 28 de febrero de 2011. 
  30. «Chris Rock's 25 Hip Hop Albums». RateYourMusic.com. 
  31. Tyrangiel, Josh (2 de noviembre de 2006). «All-TIME 100 Albums: Paul's Boutique». Time (New York). Consultado el 28 de febrero de 2011. 
  32. «The 100 Best Albums of the 1980s». Slant Magazine. 5 de marzo de 2012. Consultado el 21 de junio de 2012. 
  33. . Rhapsody. Archivado desde el original el 26 de junio de 2010. Consultado el 26 de julio de 2010. 
  34. Partridge, Kenneth (25 de julio de 2014). «Beastie Boys' 'Paul's Boutique' at 25: Classic Track-by-Track Album Review». Billboard. Consultado el 24 de septiembre de 2015. 
  35. «Beastie Boys: Paul's Boutique». Mojo (79): 125. June 2000. 
  36. Kemp, Mark (19 de febrero de 2009). «Paul's Boutique: 20th Anniversary Remastered Edition». Rolling Stone (New York). Consultado el 23 de diciembre de 2012. 
  37. Whalen, Nancy (6 de abril de 1994). «Gathering Dust». BAM (Oakland). OCLC 56556937. Consultado el 23 de diciembre de 2012. 
  38. . A Story To Tell. twelvebar.com. Archivado desde el original el 13 de octubre de 2008. 
  39. Pollicino, Raul. «The Sounds of Science». Song Spotlight. BeastieMania.com. 
  40. ↑ Relic, Peter (7 de agosto de 2014). «'The Jerry Lewis': The Untold Story of the Beastie Boys Single That Never Was». Rolling Stone (New York). Consultado el 4 de octubre de 2015. 
  41. LeRoy, Dan (2014). For Whom the Cowbell Tolls: 25 Years of Paul's Boutique. 6623 Press. ISBN 0-692-26237-7. 
  42. «Beastie Boys on WhoSampled». WhoSampled. Consultado el 1 de noviembre de 2015. 
  43. «ポールズ・ブティック [Extra tracks]» [Paul's Boutique [Extra tracks]] (en japonés). Amazon.co.jp. Consultado el 28 de febrero de 2011. 
  44. «Chartifacts: Week Ending 20 September 1992 – Issue No. 138 (from The ARIA Report Issue No. 138)». Australian Recording Industry Association. Consultado el 16 de abril de 2016. 
  45. «Beastie Boys | Artist | Official Charts» (en inglés). UK Albums Chart. The Official Charts Company. Consultado el 5 de abril de 2016.
  46. «Beastie Boys Album & Song Chart History». Billboard 200 (en inglés). Prometheus Global Media. Consultado el 18 de septiembre de 2013. 
  47. «Beastie Boys Album & Song Chart History». Billboard Top R&B/Hip Hop Albums (en inglés). Prometheus Global Media. Consultado el 19 de septiembre de 2013. 
  •   Datos: Q977418

Enero 13, 2022
paul, boutique, segundo, disco, estudio, grupo, norteamericano, beastie, boys, lanzado, julio, 1989, capitol, records, producido, dust, brothers, disco, grabó, apartamento, matt, dike, record, plant, Ángeles, entre, 1988, 1989, mezcló, record, plant, remixes, . Paul s Boutique es el segundo disco de estudio del grupo norteamericano de hip hop Beastie Boys lanzado el 25 de julio de 1989 en Capitol Records Producido por Dust Brothers el disco se grabo en el apartamento de Matt Dike y en Record Plant en Los Angeles entre 1988 a 1989 y se mezclo en Record Plant Los remixes se hicieron en los estudios de Record Plant de Manhattan Ademas de las voces el album esta casi completamente compuesto por samples Paul s Boutiquede Beastie BoysPublicacion25 de julio de 1989Genero s Hip hopDuracion53 03 minutosDiscograficaCapitol RecordsProductor es Mario Caldato Jr Cronologia de Beastie BoysLicensed to Ill Paul s Boutique editar datos en Wikidata Paul s Boutique no igualo las ventas de Licensed to Ill el primer disco del trio y Capitol dejo de promocionarlo En cualquier caso su popularidad crecio y desde entonces ha sido reconocido como uno de los discos que marco un antes y un despues en la historia del hip hop Muy rico tanto lirica como sonoramente Paul s Boutique aseguro a los Beastie Boys un lugar entre los favoritos en el genero del hip hop A menudo llamado como Sgt Pepper del hip hop 1 the album s rankings near the top of many publications best albums lists in disparate genres has given Paul s Boutique critical recognition as a landmark album in hip hop 2 El 27 de enero de 1999 Paul s Boutique fue certificado doble platino en ventas por la Recording Industry Association of America 3 En 2003 el disco alcanzo el puesto 156 en la lista de Los mejores 500 discos de todos los tiempos 4 elaborada por la revista Rolling Stone El album fue relanzado el 27 de enero de 2009 en un pack espacial con motivo del 20 aniversario remasterizado en 24 bit y con una pista de comentarios 5 Indice 1 Background 2 Produccion 3 Release 4 Critica 4 1 Accolades 5 Legado 6 Restored tracks 7 Lista de canciones 8 Personal 9 Charts 10 Vease tambien 11 ReferenciasBackground Editar El texto que sigue es una traduccion defectuosa Si quieres colaborar con Wikipedia busca el articulo original y mejora esta traduccion Copia y pega el siguiente codigo en la pagina de discusion del autor de este articulo subst Aviso mal traducido Paul s Boutique Derided as one hit wonders and estranged from their original producer Rick Rubin and record label Def Jam the Beastie Boys were in self imposed exile in Los Angeles during early 1988 and were written off by most music critics before even beginning to record their second studio album Paul s Boutique 6 Following the commercial success of Licensed to Ill the Beastie Boys were focusing on making an album with more creative depth and less commercial material 6 The group s previous album had been enormously popular and received critical acclaim among both mainstream and hip hop music critics although its simple heavy beats and comically juvenile lyrics led it to be labeled as frat hip hop 6 The group signed with Capitol Records and EMI Records 6 Produccion EditarPut together on samplers with tiny memories small fragments of staggeringly disparate musics drop in then are snatched away abruptly rhythms and melodies remain in focus as textures and sounds constantly shift Mojo 7 Paul s Boutique fue producido con los Dust Brothers cuyo uso extensivo e innovador del sampling ayudo a establish the practice of multi layered sampling as an art in itself While the Dust Brothers were set on making a hit record the duo agreed with the group on producing a more experimental and sonically different record 6 In total 105 songs were sampled on the album including 24 individual samples on the last track alone The backing tracks were allegedly produced with the intention of being released as a Dust Brothers instrumental album but the Beastie Boys convinced the duo to use the tracks as the basis of their follow up to Licensed to Ill 6 8 Contrary to popular belief most of the sampling for Paul s Boutique was cleared but at dramatically lower costs compared to today s prevailing rates 8 A 2005 article by Paul Tingen about The Dust Brothers reveals that most of the samples used on Paul s Boutique were cleared easily and affordably something that would be unthinkable in today s litigious music industry 8 Mario Mario C Caldato Jr engineer on the album later said in an interview that after Beastie Boys did Paul s Boutique we realized we had spent a lot of money in the studio We had spent about a 1 4 million in rights and licensing for samples 9 This type of sampling was only possible before Grand Upright Music Ltd v Warner Bros Records Inc the landmark lawsuit against Biz Markie by Gilbert O Sullivan which changed the process and future of hip hop sampling Speaking about the album 20 years on Adam Yauch told Clash magazine The Dust Brothers had a bunch of music together before we arrived to work with them As a result a lot of the tracks come from songs they d planned to release to clubs as instrumentals Shake Your Rump for example They d put together some beats basslines and guitar lines all these loops together and they were quite surprised when we said we wanted to rhyme on it because they thought it was too dense They offered to strip it down to just beats but we wanted all of that stuff on there I think half of the tracks were written when we got there and the other half we wrote together 10 Todas las canciones de Paul s Boutique fueron grabadas en el salon de la casa de Matt Dike en Los Angeles usando un sampler Emax HD computador MacIntosh y equipo de DJ 11 with the exception of Hello Brooklyn The fifth part of the album s finale suite B Boy Bouillabaisse was recorded at the apartment building of the Beastie Boy member Adam Yauch aka MCA in Koreatown Los Angeles The location of recording was credited in the album liner notes as the Opium Den 12 The recordings for Paul s Boutique were later mixed by the Dust Brothers at Record Plant Studios in Los Angeles 6 Release EditarThe cover art and gatefold is a photograph of Ludlow Street as shot from 99 Rivington Street credited to Nathanial Hornblower but shot by Jeremy Shatan 13 14 On its initial release Paul s Boutique was commercially unsuccessful because of its experimental and dense sampling and lyricism in contrast to the Beastie Boys previous album Licensed to Ill 15 It was a commercial disappointment 16 peaking at only 24 on the Top R amp B Hip Hop Albums chart 17 The album received a gold certification by the Recording Industry Association of America on September 22 of its release year 3 Paul s Boutique would go on to sell over 2 million copies by 1999 3 Critica EditarCalificaciones profesionalesRetrospective reviewsCalificacionesFuenteCalificacionAllMusic 15 The A V ClubA 18 Christgau s Record GuideA 19 Mojo 7 NME9 10 20 Pitchfork10 10 21 Q 22 Rolling Stone 23 The Rolling Stone Album Guide 24 Spin Alternative Record Guide10 10 25 In a contemporary review David Handelman from Rolling Stone said the songs are buoyed by the deft interplay of the three voices and a poetic tornado of imagery featuring equally far flung musical samples on an album that is littered with bullshit tough guy bravado but it s clever and hilarious bullshit 26 Greg Kot of the Chicago Tribune commended the Dust Brothers deft production and the Beastie Boys rhymes which he called hilarious vicious surreal snotty 27 Writing for Playboy Robert Christgau said although it doesn t jump you the way great rap usually does the Beasties and Tone Loc s Dust Brothers have worked out a sound that sneaks up on you with its stark beats and literal minded samples sometimes in a disturbing way He commended them for bearing down on the cleverest rhymes in the biz and wrote the Beasties concentrate on tall tales rather than boasting or dissing In their irresponsible exemplary way they make fun of drug misuse racism assault and other real vices fools might accuse them of 28 In Christgau s Record Guide The 80s 1990 he said the album s high speed volubility and riffs from nowhere will amaze and delight you calling it an absolutely unpretentious and unsententious affirmation of cultural diversity of where the group came from and where they went from there 19 Accolades Editar List of the album s rankings and listings on selected publications and top album lists 2 29 30 31 Ranked 5 on Slant Magazine s Best Albums of the 1980s 32 Ranked 37 on Blender s The 100 Greatest American Albums of All Time Ranked 2 on Ego Trip s Hip Hop s 25 Greatest Albums by Year 1980 1998 Ranked 156 on Rolling Stone s 500 Greatest Albums of All Time Ranked 12 on Spin s 100 Greatest Albums 1985 2005 Ranked 74 on VH1 s Top 100 Albums Ranked 98 on Q s Q Magazine Readers 100 Greatest Albums Ever Ranked 3 on Pitchfork Media s Top 100 Albums of the 1980s Ranked 8 on Chris Rock s list of the Top 25 Hip Hop Albums Selected as one of Rolling Stone magazine s The Essential 200 Rock Records Selected as one of TIME magazine s 100 Greatest Albums of All TIME Selected by Rhapsody as one of The 10 Best Albums by White Rappers 33 Legado Editar On July 26 2014 mural artist Danielle Mastrion created a mural in celebration of the 25th anniversary of the Beastie Boys landmark album Paul s Boutique It was painted on the corner of Ludlow and Rivington where the original album cover was photographed Desde que Paul s Boutique fue lanzado al mercado its critical standing improved significantly 34 NME found the album to still be an electrifying blast of cool in a 1994 review viewing it as a younger incarnation of Ill Communication 20 Mojo asserted that the album shredded the rulebook and called it one of the most inventive rap albums ever made 35 In a 2003 review Rolling Stone gave it five stars and called it a celebration of American junk culture that is still blowing minds today even fourteen years of obsessive listening can t exhaust all the musical and lyrical jokes crammed into Paul s Boutique 23 Mark Kemp of Rolling Stone also gave the album five stars in a 2009 review calling it a hip hop masterpiece 36 Nate Patrin of Pitchfork Media dubbed it a landmark in the art of sampling a reinvention of a group that looked like it was heading for a gimmicky early dead end and a harbinger of the pop culture obsessions and referential touchstones that would come to define the ensuing decades postmodern identity 21 In a review of the album for AllMusic contributor Stephen Thomas Erlewine summed the initial reaction to Paul s Boutique and praised the density that the album contains Musically few hip hop records have ever been so rich it s not just the recontextulations of familiar music via samples it s the flow of each song and the album as a whole culminating in the widescreen suite that closes the record Lyrically the Beasties have never been better not just because their jokes are razor sharp but because they construct full bodied narratives and evocative portraits of characters and places Few pop records offer this much to savor and if Paul s Boutique only made a modest impact upon its initial release over time its influence could be heard through pop and rap yet no matter how its influence was felt it stands alone as a record of stunning vision maturity and accomplishment 15 Miles Davis dijo que nunca se cansaba de escuchar Paul s Boutique 37 Despues en un entrevista publicada en Vibe con los tres miembros de Beastie Boys Chuck D de Public Enemy was quoted as saying that the dirty secret among the black hip hop community at the time of release was that Paul s Boutique had the best beats 38 En esa misma entrevista Mike D was asked about any possible hesitation he or the band might have had regarding their overt sampling of several minutes of well known Beatles background tracks including the song The End on The Sounds of Science He claimed that the Beatles filed preliminary legal papers and that his response was What s cooler than getting sued by the Beatles 39 In the book For Whom the Cowbell Tolls 25 Years of Paul s Boutique host of KDOC s Request Video Gia DeSantis discussed the appeal of the album to local markets and the missed opportunity by Capitol Records to take the album over the top The book was a follow up to 33 1 3 s book Paul s Boutique Restored tracks EditarEn 2013 los periodistas musicales Dan LeRoy y Peter Relic revelaron que habian descubierto y restaurado una cinta de la primera grabacion en Delicious Vinyl s de Beastie Boys conocida coloquialmente como Delicious Studios 40 Esta cinta incluia las sesiones de trabajo de seis canciones cinco de las cuales fueron producidas y empleadas de alguna manera en Paul s Boutique la otra titulada The Jerry Lewis se omitio 41 Mike D was presented with the restored version of the omitted track in late 2013 and when asked if it warranted an official release his response was Probably not this year After widespread publication of the story The Jerry Lewis has become a highly sought after lost track among dedicated Beastie Boys fans 40 Lista de canciones EditarTodas las canciones escritas y compuestas por Beastie Boys y Dust Brothers 15 Mike Diamond Adam Horovitz Adam Yauch John King Mike Simpson N ºTituloSample s 42 Duracion1 To All the Girls Contiene samples de Loran s Dance de Idris Muhammad1 292 Shake Your Rump Contiene samples de Funky Snakefoot de Alphonse Mouzon Super Mellow de Louis Bellson Shelly Manne Willie Bobo y Paul Humphrey Tell Me Something Good by Ronnie Laws 6 O Clock DJ Let s Rock Born to Love You y Yo Yo de Rose Royce Jazzy Sensation de Afrika Bambaataa y The Jazzy 5 Dancing Room Only de Harvey Scales Get Off de Foxy That s the Joint de Funky 4 1 8th Wonder de Sugarhill Gang Unity Pt 2 Because It s Coming de Afrika Bambaataa y James Brown Rock the House de The B Boys3 193 Johnny Ryall Contiene samples de Momma Miss America by Paul McCartney One of These Days by Pink Floyd Magnificent Sanctuary Band by Donny Hathaway Sharon by David Bromberg Mr Big Stuff by Jean Knight Military Cut Scratch Mix by DJ Grand Wizard Theodore and Kevie Kev Rockwell AJ Scratch by Kurtis Blow Kool Is Back by Funk Inc You Gotta Fight for Your Right To Party and The New Style by Beastie Boys3 004 Egg Man Contiene samples de Superfly by Curtis Mayfield The Murder by Bernard Herrmann Dance to the Music by Sly amp the Family Stone Drop It in the Slot by Tower of Power Sport by Lightnin Rod feat Kool amp the Gang Main Title Theme From Jaws by John Williams I m Ready by Commodores Egg Raid on Mojo by Beastie Boys Bring the Noise and You re Gonna Get Yours by Public Enemy2 575 High Plains Drifter Contiene samples de Those Shoes by Eagles Up on Cripple Creek by The Band Put Your Love In My Tender Care by The Fatback Band Suzy Is a Headbanger by Ramones Your Mama Don t Dance by Loggins and Messina4 136 The Sounds of Science Contiene samples de The End Sgt Pepper s Lonely Hearts Club Band Reprise When I m Sixty Four Sgt Pepper s Lonely Hearts Club Band and Back in the U S S R by The Beatles Walk From Regio s by Isaac Hayes Get Up Get Into It Get Involved by James Brown Don t Sniff Coke by Pato Banton My Philosophy by Boogie Down Productions3 117 3 Minute Rule Contiene samples de Brave amp Strong by Sly amp the Family Stone Feel Good by Fancy3 398 Hey Ladies Contiene samples de Come Let Me Love You Instrumental by Jeanette Lady Day Machine Gun by Commodores Magilla Gorilla by Hoyt Curtin Holy Ghost by Bar Kays Ain t It Funky Now and Funky President People It s Bad by James Brown Hey DJ by World s Famous Supreme Team The Ballroom Blitz by Sweet Shake Your Pants by Cameo Jungle Boogie by Kool amp the Gang So Ruff So Tuff by Roger Party Time by Kurtis Blow Pumpin It Up Special Club Mix by P Funk All Stars Jazzy Sensation by Afrika Bambaataa and The Jazzy 5 High Power Rap by Crash Crew Change the Beat Female Version by Beside Hush by Deep Purple3 479 5 Piece Chicken Dinner Contiene samples de Shuckin the Corn by Eric Weissberg and Marshall Brickman0 2310 Looking down the Barrel of a Gun Contiene samples de Last Bongo in Belgium de Incredible Bongo Band Put Your Hand in the Hand de Ocean Mississippi Queen de Mountain Time de Pink Floyd3 2811 Car Thief Contiene samples de Rien Ne Va Plus de Funk Factory Hurdy Gurdy Man de Donovan I ll Bet You de The Jackson 5 Drop the Bomb de Trouble Funk Address to the Crowd de Max Yasgur3 3912 What Comes Around Contiene samples de Moby Dick de Led Zeppelin Put on Train de Gene Harris y The Three Sounds It s Hot Tonight de Alice Cooper3 0713 Shadrach Contiene samples de Loose Booty de Sly amp the Family Stone Funky Drummer de James Brown Never Let Em Say de Ballin Jack Hot and Nasty de Black Oak Arkansas Do Your Dance de Rose Royce King Tim III Personality Jock de The Fatback Band feat King Tim III For Those About to Rock We Salute You de AC DC Say What de Trouble Funk That s the Joint de Funky 4 1 Sugarhill Groove de Sugarhill Gang4 0714 Ask for Janice 0 1115 B Boy Bouillabaisse Some releases separate the nine sections of the B Boy Bouillabaisse suite a 59 Chrystie Street 0 57 b Get on the Mic 1 14 c Stop That Train 1 59 d A Year and a Day 2 22 e Hello Brooklyn 1 32 f Dropping Names 1 03 g Lay It on Me 0 54 h Mike on the Mic 0 48 i A W O L 1 46 Contiene samples de Folsom Prison Blues de Johnny Cash That Lady de The Isley Brothers Loran s Dance de Idris Muhammad Are You Experienced de Jimi Hendrix Burundi Black de Burundi Steiphenson Black The Well s Gone Dry de The Crusaders Ebony Jam de Tower of Power Draw Your Brakes de Scotty Save the World de Southside Movement Let the Music Take Your Mind de Kool amp the Gang Into the Night de Sweet When the Levee Breaks de Led Zeppelin New York New York de John Battles Cris Alexander y Adolph Green Buffalo Gals de Malcolm McLaren Hey Pocky A Way de The Meters Good Times de Chic High Power Rap de Crash Crew Good to Go by Trouble Funk Scenario de Beastie Boys Rocket in the Pocket Live de Cerrone Starski Live at the Disco Fever de Lovebug Starski Here We Go Live at the Funhouse de Run D M C Bob Marley Interview de Good Day My Philosophy de Boogie Down Productions Change the Beat Female Version by Beside12 33Japanese bonus tracks 43 N ºTituloDuracion16 33 God 3 5317 Dis Yourself in 89 Just Do It 3 29Personal EditarBeastie Boys produccion Allen Abrahamson ingeniero asistente Mario Caldato Jr ingeniero Mike Simpson productor platos ensemble The Dust Brothers produccion Matt Dike ensemble Ricky Powell fotografia Jeremy Shatan fotografia Nathaniel Hornblower fotografia Dominick Watkins fotografiaCharts EditarChart 1989 Peakposition Australia ARIA 44 65 Reino Unido UK Albums Chart 45 44 Estados Unidos Billboard 200 46 14 Estados Unidos Billboard Top R amp B Hip Hop Albums 47 24Vease tambien EditarList of hip hop albums considered to be influentialReferencias Editar How the Beastie Boys Made Their Masterpiece Rolling Stone a b Paul s Boutique AcclaimedMusic net Archivado desde el original el 16 de septiembre de 2017 a b c Region incorrecta o inesperada United States The 500 Greatest Albums of All Time Rolling Stone Straight Arrow Special Issue 156 Paul s Boutique November 2003 ISSN 0035 791X Archivado desde el original el 9 de noviembre de 2007 Paul s Boutique 20th Anniversary Remastered Edition InSound com Archivado desde el original el 2 de abril de 2012 a b c d e f g LeRoy Dan 2006 The Beastie Boys Paul s Boutique 33 1 3 Continuum International pp 54 59 ISBN 978 0 8264 1741 1 Consultado el 6 de octubre de 2009 a b Batey Angus January 2009 Beastie Boys Paul s Boutique Mojo 182 118 a b c Tingen Paul May 2005 The Dust Brothers Sampling Remixing amp The Boat Studio Sound on Sound Cambridge UK SOS Publications Group ISSN 1473 5326 Burke Darron January 2002 Interview with Mario Caldato Jr March 2001 En Barnes Joyce ed Tape Op Magazine Sacramento CA OCLC 55533380 Archivado desde el original el 28 de marzo de 2012 Parametro desconocido df ignorado ayuda The Beastie Boys Interview Preview clashmusic com requiere suscripcion Paul s Boutique 1989 LP Discogs com LeRoy Dan 2006 The Beastie Boys Paul s Boutique 33 1 3 Continuum International pp 100 106 ISBN 978 0 8264 1741 1 Consultado el 28 de febrero de 2011 Carlson Jen 19 de abril de 2006 NYC Album Art Paul s Boutique Gothamist Archivado desde el original el 11 de junio de 2013 Consultado el 16 de enero de 2014 Parametro desconocido df ignorado ayuda New York Minute In Search Of Paul s Boutique Nyminute blog arte tv 29 de diciembre de 2009 Archivado desde el original el 23 de diciembre de 2013 Consultado el 16 de enero de 2014 Parametro desconocido df ignorado ayuda a b c d Erlewine Stephen Thomas Paul s Boutique Beastie Boys AllMusic Consultado el 12 de octubre de 2011 Lozaw Tristram Paul s Boutique Yahoo Music Archivado desde el original el 23 de diciembre de 2012 Consultado el 23 de diciembre de 2012 Parametro desconocido df ignorado ayuda Paul s Boutique gt Charts amp Awards gt Billboard Albums en AllMusic Rabin Nathan 17 de febrero de 2009 Beastie Boys Paul s Boutique 20th Anniversary Edition The A V Club Consultado el 16 de enero de 2014 a b Christgau Robert 1990 The Beastie Boys Paul s Boutique Christgau s Record Guide The 80s Pantheon Books p 50 ISBN 0 679 73015 X Consultado el 12 de octubre de 2011 a b Beastie Boys Paul s Boutique NME London 46 19 de noviembre de 1994 a b Patrin Nate 13 de febrero de 2009 Beastie Boys Paul s Boutique Pitchfork Consultado el 12 de octubre de 2011 Beastie Boys Paul s Boutique Q 355 121 February 2016 a b Beastie Boys Paul s Boutique Rolling Stone New York 65 6 de febrero de 2003 Levy Joe 2004 Beastie Boys En Brackett Nathan Hoard Christian eds The New Rolling Stone Album Guide Simon amp Schuster pp 49 51 ISBN 0 7432 0169 8 Weisbard Eric Marks Craig eds 1995 Spin Alternative Record Guide Vintage Books pp 46 47 ISBN 0 679 75574 8 Handelman David 25 de julio de 1989 Paul s Boutique Rolling Stone New York Consultado el 12 de octubre de 2011 Kot Greg 3 de agosto de 1989 Beastie Boys Paul s Boutique Capitol Chicago Tribune Consultado el 5 de mayo de 2016 Christgau Robert May 1989 Paul s Boutique Playboy Consultado el 5 de mayo de 2016 Top 100 Albums of the 1980s Pitchfork Media 20 de noviembre de 2002 003 Beastie Boys Paul s Boutique Archivado desde el original el 2 de abril de 2008 Consultado el 28 de febrero de 2011 Chris Rock s 25 Hip Hop Albums RateYourMusic com Tyrangiel Josh 2 de noviembre de 2006 All TIME 100 Albums Paul s Boutique Time New York Consultado el 28 de febrero de 2011 The 100 Best Albums of the 1980s Slant Magazine 5 de marzo de 2012 Consultado el 21 de junio de 2012 The 10 Best Albums By White Rappers Rhapsody Archivado desde el original el 26 de junio de 2010 Consultado el 26 de julio de 2010 Partridge Kenneth 25 de julio de 2014 Beastie Boys Paul s Boutique at 25 Classic Track by Track Album Review Billboard Consultado el 24 de septiembre de 2015 Beastie Boys Paul s Boutique Mojo 79 125 June 2000 Kemp Mark 19 de febrero de 2009 Paul s Boutique 20th Anniversary Remastered Edition Rolling Stone New York Consultado el 23 de diciembre de 2012 Whalen Nancy 6 de abril de 1994 Gathering Dust BAM Oakland OCLC 56556937 Consultado el 23 de diciembre de 2012 Shake Shake Shake Shake your Boutique A Story To Tell twelvebar com Archivado desde el original el 13 de octubre de 2008 Pollicino Raul The Sounds of Science Song Spotlight BeastieMania com a b Relic Peter 7 de agosto de 2014 The Jerry Lewis The Untold Story of the Beastie Boys Single That Never Was Rolling Stone New York Consultado el 4 de octubre de 2015 LeRoy Dan 2014 For Whom the Cowbell Tolls 25 Years of Paul s Boutique 6623 Press ISBN 0 692 26237 7 Beastie Boys on WhoSampled WhoSampled Consultado el 1 de noviembre de 2015 ポールズ ブティック Extra tracks Paul s Boutique Extra tracks en japones Amazon co jp Consultado el 28 de febrero de 2011 Chartifacts Week Ending 20 September 1992 Issue No 138 from The ARIA Report Issue No 138 Australian Recording Industry Association Consultado el 16 de abril de 2016 Beastie Boys Artist Official Charts en ingles UK Albums Chart The Official Charts Company Consultado el 5 de abril de 2016 Beastie Boys Album amp Song Chart History Billboard 200 en ingles Prometheus Global Media Consultado el 18 de septiembre de 2013 Beastie Boys Album amp Song Chart History Billboard Top R amp B Hip Hop Albums en ingles Prometheus Global Media Consultado el 19 de septiembre de 2013 Datos Q977418 Obtenido de https es wikipedia org w index php title Paul 27s Boutique amp oldid 138998379, wikipedia, wiki, leyendo, leer, libro, biblioteca,

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